As visual, verbal, vocal, sonic, spatial texts, my poems are best consumed (a)live on stages, though they also turn pages. As you are able, I suggest listening to the poems’ vocal performances while reading their textual performances.

Unruly, punctuationless, and with its relentless litany of questions, "what" may frustrate (not unlike Jesus' circuitous reaction to the lawyer in the story). Let yourself lose yourself then land as you may.

"Anger" employs magical surrealism to personify a powerful emotion and depict violence toward others (an unignorable parallel to draw between The Good Samaritan parable and our own world). We might attribute violence to an underdeveloped relationship with anger, an emotion many of us may perceive and treat as the 'other.' But what if we acted like The Good Samaritan to our own anger, which lives deep inside us yet also somehow lies bruised and abused by the side of the road. Distracting yet ignored.